BUILDING ENSEMBLE
The usage of ensemble as a curatorial tool is central to our curatorial practice. Developed by Wyzzard-Jones, ensemble is a distinct curatorial methodology that redefines how exhibition communities are formed, dismantling traditional hierarchical divisions between artists, curator, and audience. Ensemble as metaphor is also important to make sense of contextualizing our work in conversation with exhibitions and artists who have showcased the stories, breath, history, and livelihoods about and along a similar canon of work.
Each of the following projects have been usages of ensemble building.
Dinner as Ceremony
Artists, curators, and community were in conversation for a special introduction to the project, Backwater Truths. We convened over dinner on July 31st 2025 at The Historic Swoop-Duggins House. We enjoyed a beautiful meal and cocktails, while engaging in conversation about the themes and artists in our upcoming exhibition.
In Attendance
Dail Chambers, Hali Dardar, Shana M. griffin, Trécha Jheneall, Deja Jones, Kristina Kay Robinson, Precious Musa, Cheyenne Wyzzard-Jones
Year
July 2025
Convening on Noepe Land
Creating ceremony for a new project before it is out in the world is important. Artists and community members who work and live in Massachusetts convened on Noepe Land, also known as Martha’s Vineyard, on August 7th 2022 to discuss the beginning of Spiritual is Political and what they hope to see in our inaugural exhibition Black Shedding(s).